By Richard Alan Miller
Source: nwbotanicals.org
From the time of Dionysius to the time of Plato, the cultures of the Mediterranean consented to the doctrine that claimed the existence of an order of ultimate reality which lies beyond apparent reality.
This "paranormal" reality was accessible to the consciousness only when the "normal" routines of mental data processing were dislocated. It was Plato's pupil Aristotle who changed his teacher's game, separating physics from metaphysics. The philosophical temper of our present civilization, being scientifically and technically oriented, is basically Aristotelian.
No such rational figure as Aristotle arose in the Orient to a position of equal eminence. Because of this and other reasons, Indian anatomists and zoologists, who where no doubt just as curious as the Greeks about the origins of life, and as skilled in dissection, did not feel compelled to set their disciplines up in opposition to metaphysics. Physical and metaphysical philosophy remained joined like Siamese twins. As a result, the discipline which became medicine in the West evolved into a system known as Kundalini Yoga in the Hindu culture.
In Western terms, Kundalini Yoga can be best understood as a biological statement contained within the language of the poetic metaphor. The system makes the attempt of joining the seeming disparate entities of body and mind. It is a very complicated doctrine; in oversimplified terms, the system encourages the practitioner to progress through the control of a number of stages, called Chakras or mind-body coordination. A sixth, associated with clairvoyance and telepathy, is called the Ajna.
The physiological site of this sixth Chakra, the Ajna, is located in the center of the forehead. It is symbolized by an eye - the so-called third eye, the inner eye, or the eye of the mind. When this eye is opened, a new and completely different dimension of reality is revealed to the practitioner of yoga. Western scholars when they first encountered this literature, took the third eye to be an appropriately poetic metaphor and nothing else.
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